![]() For gambits that are less sound, the accepting player is more likely to try to hold on to their extra material. In modern chess, the typical response to a moderately sound gambit is to accept the material and give the material back at an advantageous time. Gambits are described as being "offered" to an opponent, and that offer is then said to be either "accepted" or "declined". As is often the case with chess openings, nomenclature is inconsistent. On the other hand, the Queen's Gambit (1.d4 d5 2.c4) is not a true gambit as Black cannot hold the pawn without incurring a disadvantage. Not all opening lines involving the sacrifice of material are named as gambits, for example the main line of the Two Knights Defense (1.e4 e5 2.Nf3 Nc6 3.Bc4 Nf6 4.Ng5 d5 5.exd5 Na5) in which Black sacrifices a pawn for active play is known as the "Knorre Variation", though it may be described as a "gambit". ![]() the Albin Countergambit (1.d4 d5 2.c4 e5) and Greco Countergambit (the original name for the Latvian Gambit). the Latvian Gambit (1.e4 e5 2.Nf3 f5), or Englund Gambit (1.d4 e5) but is sometimes named a "countergambit", e.g. A gambit employed by Black may also be named a gambit, e.g. Some well-known examples of a gambit are the King's Gambit (1.e4 e5 2.f4) and Evans Gambit (1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.b4). Gambits are most commonly played by White. The broader sense of "opening move meant to gain advantage" was first recorded in English in 1855. López studied this maneuver, and so the Italian word gained the Spanish form gambito that led to French gambit, which has influenced the English spelling of the word. The word "gambit" was originally applied to chess openings in 1561 by Spanish priest Ruy López de Segura, from an Italian expression dare il gambetto (to put a leg forward in order to trip someone).
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